The movies play a starring KONG Wei-headed fashion, and became a major fashion magazines and luxury brands love object, in the film shows the tall sexy inside the body and exquisite three-dimensional appearance. Wei Kong have become iconic features of the internationalization of unique temperament, dignified atmosphere, full of attraction. Even remotely similar to help out the top luxury brands.

Looking at development of the film gallery, when the actress, dressed in fashionable clothes in China when the movies were always added a touch of bright to the movies, becoming one of the topics that people talked about. “Breakfast at Tiffany” in • Audrey Hepburn Givenchy dress to the interpretation of very pure and elegant, this style has become a fan in mind the immortal classic masterpiece. “In the Mood for Love”, the success, not only the achievements of the Cannes winner Tony Leung has kept cheongsam blockbuster, the film Maggie Cheung makes the pattern cheongsam show memorable for the movie elegance.

Therefore, we can boldly say that when KONG Wei-face with its unique personality into the movie fashion, but also allows vertical and horizontal fashion free shuttle in space and time, into the eternal image becomes.

Comments: white and black is also a timeless classic, stripped-down coupled with an exaggerated low-cut black hat, Victoria went to where people’s eyes to where Jiugen.